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Radio and cars have always made for a great combination. This connection can be highly emotional, at least for the speakers on this panel. However, in the era of DAB, finding the right content can be quite challenging for car drivers. To create a satisfying experience in the car, radio must be simple.

"Do you think that radio is dying?” – with this question, Emily Copeland’s talk on finding new radio talent opened.While Radio is still a present medium, many young people turn away and prefer streaming services and on-demand content. More than 80% of people up to the age of 16 prefer streaming services

Mads Moller from Beam Audio (Denmark), Anna Sola from the Territory Agency (Germany), and Nawal Hadrami from Calliopé (France) all work with companies to produce branded content for them. Each of them presents examples of branded podcasts from their respective production firms. From France, Dior Talks presents interviews in the realm of style

The panel is titled "How to Be a Better Programme Director," but Rebecca Frank and Paul Sylvester are referred to as Content Directors. So, what's the difference? They explain that their job isn't solely about the program itself, but also about the listeners. Alongside Nik Goodman and some voices from the audience,

Swedish Radio’s Tomas Granryd joined with ARD’s Gwendolin Niehues to explain the importance of the radio broadcasts being available in cars. However, some car manufacturers started to remove or restrict the access to radio in their new automobiles. Whether by hiding the broadcasts behind an unpractical amount of menu screens or making

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