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"Do you think that radio is dying?” – with this question, Emily Copeland’s talk on finding new radio talent opened.While Radio is still a present medium, many young people turn away and prefer streaming services and on-demand content. More than 80% of people up to the age of 16 prefer streaming services

Mads Moller from Beam Audio (Denmark), Anna Sola from the Territory Agency (Germany), and Nawal Hadrami from Calliopé (France) all work with companies to produce branded content for them. Each of them presents examples of branded podcasts from their respective production firms. From France, Dior Talks presents interviews in the realm of style

The panel is titled "How to Be a Better Programme Director," but Rebecca Frank and Paul Sylvester are referred to as Content Directors. So, what's the difference? They explain that their job isn't solely about the program itself, but also about the listeners. Alongside Nik Goodman and some voices from the audience,

Swedish Radio’s Tomas Granryd joined with ARD’s Gwendolin Niehues to explain the importance of the radio broadcasts being available in cars. However, some car manufacturers started to remove or restrict the access to radio in their new automobiles. Whether by hiding the broadcasts behind an unpractical amount of menu screens or making

Greg  James, host of the BBC Radio 1 breakfast show, and the producer of the show,  Vinuri Perera, showed  how important the bond with the listeners is. "Radio is nothing without the audience," said Greg. Listener feedback in particular is crucial. Greg wants to give listeners the same feeling as what he wants to hear

One third of Gen Z identifies as queer – queer topics are therefore no niche topics.In this panel, three women from different countries talked about their way of raising queer voices and creating sensible content.  Miriam Harner, who works on “Willkommen im Club” – the queer podcast from the Bavarian public radio station

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